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"Why this way. Ma'll come creepin' up here in the dark, when she thinks we're asleep an' she'll come straight to this—your bed. She'll turn down the clothes an' give me a slash or two, thinkin' it's you. I'll let her baste me some—then I'll speak to her. She'll be so surprised she'll ferget all about whalin' you. She's that way, you know. Like as not she'll laugh to think she basted me—an' she'll be good-natured. You needn't worry any about a lickin', Anse." "Why, what is it?" "'Course I do.".
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Conrad
The Aurora's boat was swept alongside the brig, and Captain Acton and the Admiral clambered over the side up a short flight of steps, and in an instant Lucy was clasped in the devouring embrace of her father. Such an old-world scene taxes the highest gifts of the pen or the brush. This Louisa Ann was about fifty years old; she was nearly as broad as she was long. Her fore-mast was stepped far in the bows; her decks were stained and grimy; the paint had faded out of the inside of her bulwarks. Her sails were patched and so dingy that they might have been coloured as a smack's. Her rusty sides were lined with yawning seams amid which three little circular windows were merged with no accentuation from the dirt-shrouded glass which prevented the sea from entering the blistered, worn, mani-coloured hull. Her sailors looked as though[Pg 359] they were shipwrecked: long-haired, bearded, sallow, in clothes considerably tattered, in aspect melancholy and dejected with lack of nourishment, dullness of sailing and ceaseless motion: for here was the tub wallowing like a buoy in a popple upon a smooth sea, and the frightful weather she would make off Cape Horn or in a gale of wind the imagination of a sailor could readily picture by witnessing her motions now. When she had drunk her full of the fine wide scene of sea and sky and milk-bright schooner in the midst, with never a break the clear horizon round save the Louisa Ann that was fast fading, Lucy went below, followed by her father, who kissed her again and again in a transport of delight at having recovered her, and in being able once more to hold his adored child to his heart, and before she entered her berth to lie down and rest, he said to her: "I am so overjoyed, my darling, in having recovered you that I take no interest in the Minorca. Mr Lawrence may do with her what he pleases—I have you." But how in the world was he ever going to get out of that window with Anson's bed right up against it, and Anson sleeping in the bed? Anson would be sure to hear the ladder when Walter Watland and Maurice Keeler raised it against the wall. He must get Anson up and out of that bed! Mr Lawrence's eyes were open. They looked straight up at her; tormented as he was, his pain had no influence over the composition of his feelings. It was a stare rather than a gaze: and in that stare was profound astonishment at the sight of her, likewise amazement at the sanity of a face, which, when he had last seen it, was deformed, as he had believed, by the madness his behaviour had wrought in her; but before all, and stealing into and illuminating the complicated emotions conveyed by his eyes, was the love which had ever beamed in them when he turned them upon her, a light not to be lessened or obscured by any conflict of passion..
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